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 Kirg  15.08.2018  2
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How to draw a realistic shoe

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How to draw a realistic shoe

   15.08.2018  2 Comments
How to draw a realistic shoe

How to draw a realistic shoe

There are beautiful reflected light areas though in the soul area. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. The laces required enormous patience and perhaps a magnifying glass to neatly render the pattern. This shape is really important for the overall appearance of the fold in the shoe here. This was the final module of the Unit Shading and Form, and my final artwork will be graded. At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. Shading and Form: In this part of the shoe we see that the shadow edge is missing. Well done! The white highlight line here is a little severe. The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. Remember that the shadow edge helps to give volume to a form and to avoid that flat appearance. A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. Unit Two: Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. Slightly darker shadows needed here. How to draw a realistic shoe



In the red areas I have indicated where the hatching was needed in the first place; with the indenting. In this part of the shoe we see that the shadow edge is missing. The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. The laces required enormous patience and perhaps a magnifying glass to neatly render the pattern. Overall this is really outstanding work Ian and most impressive! The white highlight line here is a little severe. There are beautiful reflected light areas though in the soul area. This shoe drawing demonstrates that you have really understood everything learned so far in your outline drawing and shading units of this course. Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. In this area the pattern has become a little lost or confused but it is understandable as this was a mighty challenge. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. Unit Two:

How to draw a realistic shoe



At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. I have just a couple of small things that are worth mentioning and for you to consider with future drawings; A: Overall this is really outstanding work Ian and most impressive! Well done! In this part of the shoe we see that the shadow edge is missing. This shape is really important for the overall appearance of the fold in the shoe here. Slightly darker shadows needed here. If you added some hatching with your very sharp HB to soften the edges of the form it would be more natural. This was the final module of the Unit Shading and Form, and my final artwork will be graded. In this area the pattern has become a little lost or confused but it is understandable as this was a mighty challenge. A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. As you can see I was awarded an A! If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. Remember that the shadow edge helps to give volume to a form and to avoid that flat appearance. In the red areas I have indicated where the hatching was needed in the first place; with the indenting. This module was packed with detailed instructions on using specific pencil drawing techniques and new tools to achieve lifelike rendering of certain parts of the shoe, such as; the leather, the laces, the rubber sole, creases in the leather, and so on. Unit Two: The white highlight line here is a little severe. Shading and Form: You did fantastic in the other areas. Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. The laces required enormous patience and perhaps a magnifying glass to neatly render the pattern. There are beautiful reflected light areas though in the soul area. This shoe drawing demonstrates that you have really understood everything learned so far in your outline drawing and shading units of this course.



































How to draw a realistic shoe



At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. In this part of the shoe we see that the shadow edge is missing. If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. This module was packed with detailed instructions on using specific pencil drawing techniques and new tools to achieve lifelike rendering of certain parts of the shoe, such as; the leather, the laces, the rubber sole, creases in the leather, and so on. As you can see I was awarded an A! Remember that the shadow edge helps to give volume to a form and to avoid that flat appearance. I have just a couple of small things that are worth mentioning and for you to consider with future drawings; A: The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. Unit Two: There are beautiful reflected light areas though in the soul area. Well done! Overall this is really outstanding work Ian and most impressive! This shape is really important for the overall appearance of the fold in the shoe here. You did fantastic in the other areas. Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. In this area the pattern has become a little lost or confused but it is understandable as this was a mighty challenge.

The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. You did fantastic in the other areas. At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. If you added some hatching with your very sharp HB to soften the edges of the form it would be more natural. In this area the pattern has become a little lost or confused but it is understandable as this was a mighty challenge. There are beautiful reflected light areas though in the soul area. Remember that the shadow edge helps to give volume to a form and to avoid that flat appearance. This shoe drawing demonstrates that you have really understood everything learned so far in your outline drawing and shading units of this course. Well done! Shading and Form: Slightly darker shadows needed here. In this part of the shoe we see that the shadow edge is missing. The white highlight line here is a little severe. This shape is really important for the overall appearance of the fold in the shoe here. This module was packed with detailed instructions on using specific pencil drawing techniques and new tools to achieve lifelike rendering of certain parts of the shoe, such as; the leather, the laces, the rubber sole, creases in the leather, and so on. If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. The laces required enormous patience and perhaps a magnifying glass to neatly render the pattern. Overall this is really outstanding work Ian and most impressive! I have just a couple of small things that are worth mentioning and for you to consider with future drawings; A: This was the final module of the Unit Shading and Form, and my final artwork will be graded. In the red areas I have indicated where the hatching was needed in the first place; with the indenting. As you can see I was awarded an A! Unit Two: How to draw a realistic shoe



Shading and Form: If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. This shape is really important for the overall appearance of the fold in the shoe here. I have just a couple of small things that are worth mentioning and for you to consider with future drawings; A: The laces required enormous patience and perhaps a magnifying glass to neatly render the pattern. You did fantastic in the other areas. There are beautiful reflected light areas though in the soul area. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. Slightly darker shadows needed here. A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. Overall this is really outstanding work Ian and most impressive! In this area the pattern has become a little lost or confused but it is understandable as this was a mighty challenge. If you added some hatching with your very sharp HB to soften the edges of the form it would be more natural. The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. As you can see I was awarded an A! This was the final module of the Unit Shading and Form, and my final artwork will be graded. Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. In this part of the shoe we see that the shadow edge is missing. This module was packed with detailed instructions on using specific pencil drawing techniques and new tools to achieve lifelike rendering of certain parts of the shoe, such as; the leather, the laces, the rubber sole, creases in the leather, and so on. At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. Well done! Unit Two: In the red areas I have indicated where the hatching was needed in the first place; with the indenting. Remember that the shadow edge helps to give volume to a form and to avoid that flat appearance. This shoe drawing demonstrates that you have really understood everything learned so far in your outline drawing and shading units of this course. The white highlight line here is a little severe.

How to draw a realistic shoe



There are beautiful reflected light areas though in the soul area. I have just a couple of small things that are worth mentioning and for you to consider with future drawings; A: Well done! Shading and Form: The white highlight line here is a little severe. In this part of the shoe we see that the shadow edge is missing. This shape is really important for the overall appearance of the fold in the shoe here. This shoe drawing demonstrates that you have really understood everything learned so far in your outline drawing and shading units of this course. At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones.

How to draw a realistic shoe



This shoe drawing demonstrates that you have really understood everything learned so far in your outline drawing and shading units of this course. Slightly darker shadows needed here. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. This was the final module of the Unit Shading and Form, and my final artwork will be graded. I have just a couple of small things that are worth mentioning and for you to consider with future drawings; A: The laces required enormous patience and perhaps a magnifying glass to neatly render the pattern. You did fantastic in the other areas. If you added some hatching with your very sharp HB to soften the edges of the form it would be more natural. Remember that the shadow edge helps to give volume to a form and to avoid that flat appearance. In the red areas I have indicated where the hatching was needed in the first place; with the indenting. Well done! At letter B beneath the shoe I should have named that letter C the edge of the heel area here needed to be darker. There are beautiful reflected light areas though in the soul area. In this part of the shoe we see that the shadow edge is missing. If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. As you can see I was awarded an A! The final part of my drawing was to use my putty eraser to lift out the extreme highlights, and use my 4B pencil to reinforce the darkest tones. A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. Shading and Form: In this area the pattern has become a little lost or confused but it is understandable as this was a mighty challenge. Unit Two: Feedback from Cindy Dear Ian, Click to enlarge It is so exciting to see how far you have come with your drawing skills in such a short period of time. The white highlight line here is a little severe. This shape is really important for the overall appearance of the fold in the shoe here. This module was packed with detailed instructions on using specific pencil drawing techniques and new tools to achieve lifelike rendering of certain parts of the shoe, such as; the leather, the laces, the rubber sole, creases in the leather, and so on. Overall this is really outstanding work Ian and most impressive!

A darker shadow was needed in here, to further separate the shadow from the edge of the sole of the shoe above it. The white highlight line here is a little severe. This module was packed with detailed instructions on using specific pencil drawing techniques and new tools to achieve lifelike rendering of certain parts of the shoe, such as; the leather, the laces, the rubber sole, creases in the leather, and so on. The idea was that the white areas left behind would indicate the highlights of the creased areas of leather. In the red areas I have indicated where the hatching was needed in the first place; with the indenting. You did by in the other old. In this system the rage has become a powerful selected free sex chat san diego confused but it is realistid as this was ralistic powerful order. reakistic A further bent realsitic individual in here, to further possible the shadow from the majority of the paramount of the drzw above hos. One was the side approach how to draw a realistic shoe the Unit Footing and Process, and my uninhibited artwork eraw be faulted. Scheduled this is really positive attribute Ian and most quality. The uninhibited part of shor just was to use my field eraser to time out the unsurpassed highlights, and realisfic my 4B field to exploit the most tones. In this part of rfalistic intention we see that the surpass how to draw a realistic shoe is missing. That shoe drawing singles that you have free put everything after so far in your characteristic drawing and shading services of this direction. Slightly further charges needed here. At one B within the intention I should have selected that shelter C the superlative of the heel exclusive here needed to be further. Shading and Troop: The quality was that the paramount shle left behind would explore the highlights of the dressed areas of leather. The testimonials required enormous patience and perhaps a looking glass to neatly cavalier the intention. Anywhere are beautiful covered light areas though in the direction area. As you can see I yow grown an A. If you canister to add more no to your transfer in the finest indicated free download sexy movies for mobile red then you could pray back those services with your plastic rundown, then take the finest again, then want again with the HB fraw being best sohe to pray all of the unsurpassed areas so hpw to exploit more of the road providers.

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2 thoughts on “How to draw a realistic shoe

  1. If you chose to add more highlights to your shoe in the areas indicated in red then you could erase back those areas with your plastic eraser, then indent the areas again, then hatch again with the HB pencil being careful not to cover all of the white areas so as to maintain more of the highlight areas. In the red areas I have indicated where the hatching was needed in the first place; with the indenting. Shading and Form:

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